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                        <loc>https://ohdangdesign.me/branding-</loc>
            
            
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                        <loc>https://ohdangdesign.me/type-</loc>
            
            
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            <url>
                        <loc>https://ohdangdesign.me/layout-</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/V2095679527879188451372413299292/basic-image-graphic-11-2.jpg</image:loc>
                                            <image:caption>



&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;grey-caption&quot;&gt;After taking a typography course the year before, I was already accustomed to thinking about letters as shapes. So I decided to &lt;i&gt;technically&lt;/i&gt; follow the specifications by using that 11pt font in the greater design elements of the layout. &lt;br /&gt;&lt;br /&gt;Practically, this meant using shearing, rotation, overlapping, and spacing to add texture and structure to the design. Because of the overlapping, I was inspired by typewriter artists and decided to use a faded typewriter inspired font which offers a lot of texture.&lt;/span&gt;&lt;/div&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/Y2435024741103173889226143341293/1709864972622-74e59e3c-4b35-4414-850d-e6858e768927_4.jpg</image:loc>
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&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;grey-caption&quot;&gt;Because I had 2 additional colors, I decided to use a technique I had been using a lot at the time in my next design: using low opacity cyan and magenta duplicates to create a shakey/3D effect. This effect works best on a black background so that was another big decision made by having fun with this technique.&lt;br /&gt;&lt;br /&gt;
I used this on anything I wanted to stand out a bit more - so headers and the title - so they would have both more texture and weight without using additional font sizes.&lt;br /&gt;&lt;br /&gt;
This effect really reminds me of old digital displays and so that inspired me to use a second font that felt digital.&lt;/span&gt;&lt;/div&gt;

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&lt;span class=&quot;grey-caption&quot;&gt;By this point, I had embraced my freedom instead of rejecting it, and so I decided to do literally as much as possible without being too much.&lt;br /&gt;&lt;br /&gt;This didn’t mean however, I was done having fun with text as a design element. The main driver of this design is using the “Typo” in the wonderful Adhesive No Seven and layering it at low opacity as many times as I felt I could get away with. And by that I mean my computer started getting kind of warm and when I moved my workspace the whole thing inverted colors. So of course instead of taking it down a bit, I screen grabbed the inverted workspace and put that in there too.&lt;/span&gt;

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                                            <image:caption>



&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;grey-caption&quot;&gt;After taking a typography course the year before, I was already accustomed to thinking about letters as shapes. So I decided to &lt;i&gt;technically&lt;/i&gt; follow the specifications by using that 11pt font in the greater design elements of the layout. &lt;br /&gt;&lt;br /&gt;Practically, this meant using shearing, rotation, overlapping, and spacing to add texture and structure to the design. Because of the overlapping, I was inspired by typewriter artists and decided to use a faded typewriter inspired font which offers a lot of texture.&lt;/span&gt;&lt;/div&gt;



</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2435024741066280401078724238061/1709864972622-74e59e3c-4b35-4414-850d-e6858e768927_2.jpg</image:loc>
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&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;grey-caption&quot;&gt;Because I went so heavy on the text as a design element in my first design, I decided to only use the exact text given to me. I instead decided to use white space as the main vehicle for hierarchy.&lt;br /&gt;&lt;br /&gt;Giving as much white space around the title as I could makes it a focal point in the upper half the the design. I then used the byline to act as a barrier from the title and body text. In the lower portion I similarly gave more white space around the headers and then treated the main text normally, using my grid to create separate columns.&lt;/span&gt;&lt;/div&gt;

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&lt;span class=&quot;grey-caption&quot;&gt;The freedom went to my head. I had to come back down to earth. &lt;br /&gt;
&lt;br /&gt;I decided to meet the requirements in the most understated way possible.&lt;/span&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;grey-caption&quot;&gt;&lt;br /&gt;So I used 3 fonts (Italic, Italic C, and Italic T), colored text, a lightly colored background, and an image. I really enjoyed overlaying lines where guidelines were to not only show the structure but also mimic graph paper.&lt;/span&gt;&lt;/div&gt;&lt;span class=&quot;grey-caption&quot;&gt;&lt;br /&gt;Please don’t give me freedom again.&lt;/span&gt;</image:caption>
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&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;grey-caption&quot; style=&quot;color: rgba(0, 0, 0, 0.85);&quot;&gt;I was really enjoying the hardcore limitations of the first set and honestly didn’t want all the freedom given to me. So for my first design I wanted to really focus on color as the main avenue for hierarchy and contrast.&lt;br /&gt;
&lt;br /&gt;Clearly I still used multiple typefaces and font sizes, but let’s be honest, the yellow and black is what’s really pulling weight here. I again used glyphs as a design element (slashes as a border, and blocks of yellow text in the grid to add structure and texture) but clearly less so than previously. I really liked altering the text space to give a different feel in the dimensions without actually altering them.&lt;/span&gt;&lt;/div&gt;

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                        <loc>https://ohdangdesign.me/about-mobile-1</loc>
            
            
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                        <loc>https://ohdangdesign.me/resume-</loc>
            
            
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